Alma Tadema
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Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Christoffer Wilhelm Eckersberg
View through Three Northwest Arcades of the Colosseum in Rome Storm Gathering over the City (mk22)

ID: 22835

Christoffer Wilhelm Eckersberg View through Three Northwest Arcades of the Colosseum in Rome Storm Gathering over the City (mk22)
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Christoffer Wilhelm Eckersberg View through Three Northwest Arcades of the Colosseum in Rome Storm Gathering over the City (mk22)


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Christoffer Wilhelm Eckersberg

Danish Neoclassical Painter, 1783-1853 Danish painter and teacher. He has been called 'the father of Danish painting' because of the influence he exerted on Danish painters in the second quarter of the 19th century. With Christen K?bke he was the leading painter of the Danish 'Golden Age' (c. 1800-1850).   Related Paintings of Christoffer Wilhelm Eckersberg :. | View through three northwest arches of the Colossum in Rome,Storm gathering over the city | the nathanson famil | Ruckenakt | Woman Standing in Front of a Mirror | Portrat der Anna Maria Magnan |
Related Artists:
Gustav Bauernfeind
German Painter, 1848-1904
Arent De Gelder
1645-1727 was one of Rembrandt's last pupils while in Amsterdam, studying in his studio from 1661 to 1663. He was not only one of the most talented of Rembrandt's pupils, but also one of his most devoted followers, for he was the only Dutch artist to paint in the tradition of Rembrandt's late style into the 18th century.
Aelst, Willem van
Dutch Baroque Era Painter, 1627-ca.1683 Studied under Otto Marseus van Schrieck. Students included Rachel Ruysch. Specializes in Still Life. was a Dutch artist who specialized in still-life painting with flowers or game. Van Aelst was born to a family of prominent city magistrates. He learned to paint from his uncle, the still-life painter Evert van Aelst. On 9 November 1643 he enrolled as a master of the Guild of Saint Luke at Delft. Between 1645 and 1649 he lived in France. In 1649 Van Aelst travelled to Florence, where he served as court painter to Ferdinand II de Medici, grand duke of Tuscany. At this time, the grand duke also employed two fellow Dutchmen Matthias Withoos and Otto Marseus van Schrieck, the latter also a still-life painter who probably influenced Van Aelst's style. In 1656 he returned to the Netherlands to settle permanently in Amsterdam. He became one of the most prominent still-life painters of his generation,






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